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Feel the passion of Frederick Edward Hulme in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Frederick Edward Hulme
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Frederick Edward Hulme

    March 1841   -   April 10, 1909
Nonclassified artists   •   Wikipedia: Frederick Edward Hulme

The career of Frederick Edward Hulme is an excellent proof that art and exact science need not be strictly separated disciplines. In fact, hardly any art has done more for science than drawing, and without the draughtsman Frederick Edward Hulme, the scientist Hulme would be unthinkable.

Hulme (born 1841 in Hanley, County of Staffordshire), son of a landscape painter and grandson of a porcelain painter (Staffordshire with its capital Stoke-on-Trent is still a stronghold of tableware production today), was born to paint and draw and received his education at what is now the Royal College of Art in Kensington (London). In 1870, at the age of 29, he was appointed professor of drawing at Marlborough College in Wiltshire, which was founded in 1843 to train Anglican clergymen. But Hulme was by no means a sanctimonious aesthete. Like the Bohemian Augustinian Father Gregor Johann Mendel, Hulme dedicated his life to botany. His main work, "Familiar Wild Flowers", was written in Marlborough and included a detailed description of each plant and its flower, its habitat and its possible medicinal use. The heart of the nine-volume work, however, was a detailed, true-to-form and colourful drawing of each plant listed. If a popular Irish song says that there are "forty shades of green" on the island, you can easily find them in Hulme's drawings.

Hulme became famous for his botanical work - he never pursued botany professionally, however, but always as a hobby, although in 1869 he was even elected chairman of the "Royal Linnean Society of London", a society named after Carl von Linné to promote natural history. Just this branch of science was thoroughly shaken up in those years by the publications of a Charles Darwin. The Lenné Society still exists today. By profession Hulme always remained an illustrator. In 1885, he was appointed as the first drawing teacher at "Kings College" of the University of London, and remained there until his death. Hulme also wrote essays on heraldry (heraldry is the parade discipline of reckoning and is highly regarded in Great Britain) as well as on cryptography - the encryption and decryption of codes and secret writings.

Hulme was neither to learn how his cryptographic epigones won the Second World War for England by cracking the German codes, nor to enjoy the fame of his "well-known wild flowers": When he died in 1909 at the age of only 58, the ninth and last volume was just being completed - all nine volumes were only published together, i.e. after Frederick Edward Hulme's death.

Frederick Edward Hulme

    March 1841   -   April 10, 1909
Nonclassified artists   •   Wikipedia: Frederick Edward Hulme

The career of Frederick Edward Hulme is an excellent proof that art and exact science need not be strictly separated disciplines. In fact, hardly any art has done more for science than drawing, and without the draughtsman Frederick Edward Hulme, the scientist Hulme would be unthinkable.

Hulme (born 1841 in Hanley, County of Staffordshire), son of a landscape painter and grandson of a porcelain painter (Staffordshire with its capital Stoke-on-Trent is still a stronghold of tableware production today), was born to paint and draw and received his education at what is now the Royal College of Art in Kensington (London). In 1870, at the age of 29, he was appointed professor of drawing at Marlborough College in Wiltshire, which was founded in 1843 to train Anglican clergymen. But Hulme was by no means a sanctimonious aesthete. Like the Bohemian Augustinian Father Gregor Johann Mendel, Hulme dedicated his life to botany. His main work, "Familiar Wild Flowers", was written in Marlborough and included a detailed description of each plant and its flower, its habitat and its possible medicinal use. The heart of the nine-volume work, however, was a detailed, true-to-form and colourful drawing of each plant listed. If a popular Irish song says that there are "forty shades of green" on the island, you can easily find them in Hulme's drawings.

Hulme became famous for his botanical work - he never pursued botany professionally, however, but always as a hobby, although in 1869 he was even elected chairman of the "Royal Linnean Society of London", a society named after Carl von Linné to promote natural history. Just this branch of science was thoroughly shaken up in those years by the publications of a Charles Darwin. The Lenné Society still exists today. By profession Hulme always remained an illustrator. In 1885, he was appointed as the first drawing teacher at "Kings College" of the University of London, and remained there until his death. Hulme also wrote essays on heraldry (heraldry is the parade discipline of reckoning and is highly regarded in Great Britain) as well as on cryptography - the encryption and decryption of codes and secret writings.

Hulme was neither to learn how his cryptographic epigones won the Second World War for England by cracking the German codes, nor to enjoy the fame of his "well-known wild flowers": When he died in 1909 at the age of only 58, the ninth and last volume was just being completed - all nine volumes were only published together, i.e. after Frederick Edward Hulme's death.

Artworks by Frederick Edward Hulme

Artworks by Frederick Edward Hulme

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Frederick Edward Hulme
Field Rose, 1877.
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Frederick Edward Hulme
Daffodil, 1877.
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Frederick Edward Hulme
Scarlet Poppy, 1877.
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Sainfoin (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Borage (chromolitho)
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Frederick Edward Hulme
Dandelion, 1877.
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Cowslip, 1877.
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Hyacinth, 1877.
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
 
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Dog-Rose, 1877.
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Nettle-Leaved Bell-Flower (chrom...
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Frederick Edward Hulme
Lily of the Valley (chromolitho)
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Frederick Edward Hulme
Teasel (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Betony (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Birds-Foot Trefoil (chromolitho)
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Arum or Cuckoo-Pint (chromolitho)
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Frederick Edward Hulme
Bramble (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Meadow Cranes-Bill, 1877.
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Comfrey, 1877.
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Wallflower (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Marsh Thistle (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Creeping Campanula (chromolitho)
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Frederick Edward Hulme
Flowering Rush (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Ladys Smock, Bittercress or Cuck...
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Frederick Edward Hulme
Daisy & Marsh-Marigold, 1877.
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Frederick Edward Hulme
Apple (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Narrow-Leaved Everlasting Pea (c...
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Hawthorn (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Water Avens (chromolitho)
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Frederick Edward Hulme
Sweet Violet, 1877.
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Burdock (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Yarrow (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Sallow (chromolitho)
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Frederick Edward Hulme
Salad-Burnet (chromolitho)
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Frederick Edward Hulme
Bugle & Tall Fescue Grass, 1877.
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Frederick Edward Hulme
Burdock, 1877.
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Frederick Edward Hulme
Fritillary (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Goose-Grass (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Wolf Bane. Or, Monkshood
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Frederick Edward Hulme
Prickly Headed Poppy (chromolitho)
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Frederick Edward Hulme
Touch-Me-Not (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Foxglove (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Primrose, 1877.
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
York und Lancaster Rose
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Frederick Edward Hulme
Snowdrop and Snowflake (chromoli...
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Frederick Edward Hulme
 
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Frederick Edward Hulme
Carrot (chromolitho)
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Frederick Edward Hulme
Clustered Bell-Flower (chromolitho)
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Frederick Edward Hulme
Yellow Iris (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Tutsan (chromolitho)
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Frederick Edward Hulme
Common Orchis and Broad-Leafed G...
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Frederick Edward Hulme
Milk Thistle (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Foxglove, 1877.
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Frederick Edward Hulme
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Devils-Bit Scabious (chromolitho)
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Frederick Edward Hulme
Field Thistle (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Bladder-Campion (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Purple Loose-Strife (chromolitho)
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Frederick Edward Hulme
Orpine (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Dwale, or Deadly Nightshade (chr...
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Frederick Edward Hulme
 
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Frederick Edward Hulme
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Frederick Edward Hulme
Dog-Rose (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Wood-Sorrel (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Ladys Mantle (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
White Campion, 1877.
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Frederick Edward Hulme
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Frederick Edward Hulme
Sea Lavender (chromolitho)
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Frederick Edward Hulme
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Frederick Edward Hulme
Letter T, drop cap letter, engra...
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Frederick Edward Hulme
Herb-Robert (chromolitho)
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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+43 4257 29415 · office@meisterdrucke.com
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