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Österreichische Kunstmanufaktur

Feel the passion of Eastman Johnson in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Eastman Johnson
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Eastman Johnson

Eastman Johnson

    July 29, 1824   -   April 5, 1906
American Art   •   Wikipedia: Eastman Johnson

Eastman Johnson is best known to the world as co-founder of the New York Metropolitan Museum of Art. Often referred to simply as "the Met", it is the largest art museum in the USA and the third largest in the world behind the Louvre in Paris and the National Museum of China in Beijing.

Hardly anyone in Johnson's youth expected him to become a patron of the arts. The son of a civil servant and a housewife, he was born in 1824 on the US East Coast, in the state of Main. As a boy he showed talent in drawing, but only moderate artistic ambitions. This only changed when he was old enough to take up a profession. Instead of following in his father's footsteps and working for the government, Jonathan, his middle name Eastman became his first name only later, decided to train as a lithographer, which he did in Boston. Afterwards, like many artists of the 19th century, he led a wandering life and made his living as a portraitist. His career as a painter only began after an art association became aware of him and enabled him to train in Europe.

His first station led him to Germany, where he studied at the Düsseldorf Art Academy under the history painter and graphic artist Heinrich Mücke. He also took private lessons with the German-American artist Emanuel Gottlieb Leutze. After his intermezzo in Germany he travelled all over Europe. Among the most important stations were London and The Hague, where he lived for several years and sutudied the old Dutch masters. Only the death of his mother forced him to return to the USA. The desire to travel did not remain without influence on Johnson's choice of motifs, who never completely gave up portrait painting, but became increasingly enthusiastic about landscape painting. His style is described as sober, sometimes almost photographic. This is particularly evident in one of his most famous paintings, which shows a wigwam of the Ojibwa, who are Native Americans. As he grew older, he developed a sketchy style, which eventually also influenced his landscape paintings.

However, his probably most famous painting "Negro Life at the South" was created during a phase in which he concentrated mainly on rural scenes. Interestingly, the work was presented to the public shortly before the outbreak of the War of Secession. In the last third of his life, Johnson became involved in numerous artists' associations and increasingly concentrated on promoting painting, although he did not stop creating art himself until his death in 1906.

Eastman Johnson

    July 29, 1824   -   April 5, 1906
American Art   •   Wikipedia: Eastman Johnson Eastman Johnson

Eastman Johnson is best known to the world as co-founder of the New York Metropolitan Museum of Art. Often referred to simply as "the Met", it is the largest art museum in the USA and the third largest in the world behind the Louvre in Paris and the National Museum of China in Beijing.

Hardly anyone in Johnson's youth expected him to become a patron of the arts. The son of a civil servant and a housewife, he was born in 1824 on the US East Coast, in the state of Main. As a boy he showed talent in drawing, but only moderate artistic ambitions. This only changed when he was old enough to take up a profession. Instead of following in his father's footsteps and working for the government, Jonathan, his middle name Eastman became his first name only later, decided to train as a lithographer, which he did in Boston. Afterwards, like many artists of the 19th century, he led a wandering life and made his living as a portraitist. His career as a painter only began after an art association became aware of him and enabled him to train in Europe.

His first station led him to Germany, where he studied at the Düsseldorf Art Academy under the history painter and graphic artist Heinrich Mücke. He also took private lessons with the German-American artist Emanuel Gottlieb Leutze. After his intermezzo in Germany he travelled all over Europe. Among the most important stations were London and The Hague, where he lived for several years and sutudied the old Dutch masters. Only the death of his mother forced him to return to the USA. The desire to travel did not remain without influence on Johnson's choice of motifs, who never completely gave up portrait painting, but became increasingly enthusiastic about landscape painting. His style is described as sober, sometimes almost photographic. This is particularly evident in one of his most famous paintings, which shows a wigwam of the Ojibwa, who are Native Americans. As he grew older, he developed a sketchy style, which eventually also influenced his landscape paintings.

However, his probably most famous painting "Negro Life at the South" was created during a phase in which he concentrated mainly on rural scenes. Interestingly, the work was presented to the public shortly before the outbreak of the War of Secession. In the last third of his life, Johnson became involved in numerous artists' associations and increasingly concentrated on promoting painting, although he did not stop creating art himself until his death in 1906.

Artworks by Eastman Johnson

Artworks by Eastman Johnson

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Eastman Johnson
 
Undated | oil on canvas

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Eastman Johnson
 
1863 | Oil on cardboard

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Eastman Johnson
Grover Cleveland [verso]
Undated | graphite on paperboard

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Eastman Johnson
Joseph Warren of Troy, c.1863 (o...
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Eastman Johnson
Boy Fishing, 1860s.
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Eastman Johnson
Self portrait, 1853
1853 | oil on canvas

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Eastman Johnson
 
Undated | oil on canvas

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Eastman Johnson
 
1863 | oil on millboard

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Eastman Johnson
Grover Cleveland [recto]
Undated | graphite and black crayon on paperboard

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Eastman Johnson
Christmas-Time, The Blodgett Fam...
1864 |

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Eastman Johnson
 
1864 | oil on canvas

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Eastman Johnson
Self-Portrait, 1863.
Undated |

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Eastman Johnson
 
1868 | oil on canvas

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Eastman Johnson
 
Undated | oil on board

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Eastman Johnson
Man in a Cornfield,
Undated | oil on board

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Eastman Johnson
 
1870 | oil on canvas

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Eastman Johnson
Old Kentucky Home Life in the So...
1859 | oil on canvas

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Eastman Johnson
Dinah, Portrait of a black woman
1867 |

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Eastman Johnson
Grover Cleveland, 1884.
Undated |

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Eastman Johnson
Portret van Woltera Geertruida, ...
Undated | paper chalk

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Eastman Johnson
Sugaring Off, c.1865
Undated | oil on canvas

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Eastman Johnson
Feeding the Turkey, c.1872-80 (p...
Undated | pastel on wove paper, mounted to canvas

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Eastman Johnson
A Retired Sea Captain from Massa...
1879 | oil on canvas

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Eastman Johnson
Family Cares, 1873
1873 | oil on wood

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Eastman Johnson
Portrait of Genio C. Scott, 1859.
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Eastman Johnson
Knitting for the Soldiers, 1861 ...
1861 | oil on millboard

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Eastman Johnson
The Boyhood of Lincoln. (An Even...
1868 | Chromolithograph on paper on board

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Eastman Johnson
Self-Portrait, c.1865-70
Undated | oil on canvas

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Eastman Johnson
Susan Ray"s Kitchen, Nantucket, ...
1875 | Oil on cardboard

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Eastman Johnson
The Brown Family, 1869.
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Eastman Johnson
The Early Scholar, c. 1865.
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Eastman Johnson
Study of an Old Man (Possibly a ...
Undated | black chalk

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Eastman Johnson
The Girl I Left Behind Me, ca. 1...
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Eastman Johnson
The Hatch Family, 1870-71.
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Eastman Johnson
 
Undated | oil on paperboard

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Eastman Johnson
 
Undated |

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Eastman Johnson
Parke Godwin, c. 1880.
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Eastman Johnson
Three Dutch Figures, c.1852 (gra...
Undated | graphite, watercolour and white chalk on brown paper

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Eastman Johnson
The Savoyard Boy, 1853
1853 | oil on canvas

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Eastman Johnson
The Pets, 1856.
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Eastman Johnson
The Toilet, 1873.
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Eastman Johnson
Southern Courtship, 1859
1859 | oil on canvas

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Eastman Johnson
Self Portrait (oil on canvas)
Undated | oil on board

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Eastman Johnson
Study of an Old Man Possibly a S...
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Eastman Johnson
George Mortimer Pullman (1831-97)
Undated | oil on canvas

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Eastman Johnson
Samuel W. Rowse, c.1881 (oil on ...
Undated | oil on board

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Eastman Johnson
 
1873 | Oil on cardboard

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Eastman Johnson
Husking Bee, Island of Nantucket...
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Eastman Johnson
 
Undated | oil on board

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Eastman Johnson
 
Undated | oil on paper laid on board

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Eastman Johnson
Wounded Drummer Boy, 1865-69
1865 | oil on canvas

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Eastman Johnson
The Funding Bill, 1881.
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Eastman Johnson
Sunday Morning, 1866
1866 | oil on canvas

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Eastman Johnson
The Pets, 1856
1856 | oil on board

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Eastman Johnson
 
Undated | oil on canvas

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Eastman Johnson
Corn Husking at Nantucket, ca. 1...
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Eastman Johnson
 
Undated | oil on canvas on panel

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Eastman Johnson
Sharpening the Scythe, 1864
1864 | oil on canvas

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Eastman Johnson
 
Undated | oil on canvas

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Eastman Johnson
Boy Fishing, c.1860 (oil on canvas)
Undated | oil on canvas

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Eastman Johnson
 
1879 | oil on canvas

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Eastman Johnson
In the Fields, c.1878-80
1878 | oil on board

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Eastman Johnson
The Fugitive Slaves (oil on pape...
Undated | oil on paper board

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Eastman Johnson
Not at Home, c.1873 (oil on pape...
Undated | oil on paper board

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Eastman Johnson
Samuel W. Rowse, c. 1881.
Undated |

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Eastman Johnson
The Blacksmith Shop (oil on pres...
Undated | oil on pressed wood fiber board

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Eastman Johnson
 
1863 | Oil on panel

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Eastman Johnson
Portrait of Dr, 1853
1853 | oil on canvas

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Eastman Johnson
Anatomy Sketch Book, 1849 (sketc...
1849 | sketchbook containing drawings in graphite

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Eastman Johnson
 
Undated | oil on panel

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Eastman Johnson
 
Undated | black and white chalk

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Eastman Johnson
The Cranberry Harvest. Island of...
1880 | oil on canvas

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Eastman Johnson
The Lord Is My Shepherd, 1863.
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Eastman Johnson
 
Undated | graphite on wove paper

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Eastman Johnson
Study for Cranberry Pickers (oil...
Undated | oil on board

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Eastman Johnson
 
Undated | oil on canvas

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Eastman Johnson
The Party in the Maple Sugar Cam...
Undated | oil on canvas

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Eastman Johnson
The Fifers, 1881
1881 | Oil on cardboard

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Eastman Johnson
The Earnest Pupil, 1881
1881 | oil on board

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Eastman Johnson
The New Bonnet, 1876.
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Eastman Johnson
 
Undated |

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Eastman Johnson
The Conversation, 1879
1879 | oil on paper

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Eastman Johnson
Five Boys on a Wall, c.1875-1880...
Undated | oil on composition board

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Eastman Johnson
Self-Portrait, 1889.
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Eastman Johnson
 
Undated |

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Eastman Johnson
 
Undated | oil on millboard

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Eastman Johnson
The Art Lover
Undated | oil on canvas

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Eastman Johnson
Life in the South,
Undated | oil on canvas

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Eastman Johnson
 
Undated | charcoal with black and white chalk on brown wove paper

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Eastman Johnson
The Truants, c. 1870.
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Eastman Johnson
Self-Portrait
Undated | oil on canvas

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Eastman Johnson
The Boston Rocker,
Undated | oil on board

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Eastman Johnson
 
Undated | oil on canvas

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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