Painting Frames Ophelia

Painting Frames "Ophelia"

Gold • Serie: Victoria • Width: 79mm • Height: 42mm
The painting frame Orphelia from the Victoria series is gold and richly decorated. This gold frame finds numerous pendants not only because of its opulent appearance, but also because of the many possibilities it offers when it comes to frames. Art prints from numerous eras will find the right companion in Orphelia - works from the Gothic, Renaissance, Baroque and Rococo periods, but also pictures of Mannerism, Classicism, Biedermeier and Romanticism as well as from Victorian art or realism. As Orphelia itself comes from times of the art of that time, the frame with its majestic character manages to provide the frames of the times with the appropriate frame. Simple, smooth gold strips alternate here with ornamental borders, so that a clever composition is created. It begins on the outer edge, dainty and simple, in order to then let the thick ornament strip slide into the room in a powerful way. Here this braid presents itself perfectly with its relief-like floral ambience, which shows several transverse leaf blossoms. While these stand out against the dark brown background, the next bar is again made of shiny gold and moves inside. The direct conclusion to the art print, however, is another ornament strip, which skilfully completes the frame Orphelia.
 1
Painting Frames Ophelia

Painting Frames "Ophelia"

Gold • Serie: Victoria • Width: 79mm • Height: 42mm
The painting frame Orphelia from the Victoria series is gold and richly decorated. This gold frame finds numerous pendants not only because of its opulent appearance, but also because of the many possibilities it offers when it comes to frames. Art prints from numerous eras will find the right companion in Orphelia - works from the Gothic, Renaissance, Baroque and Rococo periods, but also pictures of Mannerism, Classicism, Biedermeier and Romanticism as well as from Victorian art or realism. As Orphelia itself comes from times of the art of that time, the frame with its majestic character manages to provide the frames of the times with the appropriate frame. Simple, smooth gold strips alternate here with ornamental borders, so that a clever composition is created. It begins on the outer edge, dainty and simple, in order to then let the thick ornament strip slide into the room in a powerful way. Here this braid presents itself perfectly with its relief-like floral ambience, which shows several transverse leaf blossoms. While these stand out against the dark brown background, the next bar is again made of shiny gold and moves inside. The direct conclusion to the art print, however, is another ornament strip, which skilfully completes the frame Orphelia.
 1
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Excerpt from our top sellers
Antaeus setting down Dante and Virgil in the Last Circle of Hell Nude Woman in a landscape Pandora The Luncheon: Monets garden at Argenteuil, c.1873 Accent en Rose, 1926 Isle of the Dead, second version, 1880 (oil on wood) Destiny, 1900 Lilith Composition Z VIII Gustave Dore Bible: Adam and Eve driven out of Eden Terrace of the cafe at the Place du Forum in Arles in the evening Still Life with Roses Lady in yellow, 1899. Ophelia, 1894 The parish clerk
Excerpt from our top sellers
Antaeus setting down Dante and Virgil in the Last Circle of Hell Nude Woman in a landscape Pandora The Luncheon: Monets garden at Argenteuil, c.1873 Accent en Rose, 1926 Isle of the Dead, second version, 1880 (oil on wood) Destiny, 1900 Lilith Composition Z VIII Gustave Dore Bible: Adam and Eve driven out of Eden Terrace of the cafe at the Place du Forum in Arles in the evening Still Life with Roses Lady in yellow, 1899. Ophelia, 1894 The parish clerk

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